{"id":5,"date":"2024-05-08T08:47:56","date_gmt":"2024-05-08T12:47:56","guid":{"rendered":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/?p=5"},"modified":"2024-06-07T08:47:43","modified_gmt":"2024-06-07T12:47:43","slug":"chapter-1","status":"publish","type":"chapter","link":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/chapter\/chapter-1\/","title":{"raw":"Introduction","rendered":"Introduction"},"content":{"raw":"<p style=\"text-align: center\">IDENTITY<\/p>\r\nAt its core, identity evades complete capture or definition, embodying subjective experiences shaped by individual perspectives on how we relate to ourselves and others. In this chapter, the writers convey the universality of identity by uncovering themes such as growth, love, loss, perseverance, language, and the human experience. The narratives explored detail the diverse facets of identity\u2014the places we navigate and the personas we choose to portray\u2014all of which contribute to shaping our essence.\r\n\r\nKoraleigh Ahearn\u2019s poem \u201cGirlhood\u201d is a lighthearted reflection of the transition from \u201cgirlhood\u201d to adulthood and how, through societal pressures, Barbie becomes a symbol of yielding to the inevitability of growing up. Jared Simmond\u2019s\r\n\r\n\u201cThe Moon as Object\u201d illustrates the moon as an entity beyond human comprehension, considering themes of subjectivity and perception. The speaker grapples with whether or not the moon\u2019s beauty and existence stem from divine or natural evolution. Keridwen Campbell\u2019s essay \u201cSounds Queer: Linguistic Perceptions of Sexual Orientation and Gender\u201d examines how language and speech patterns are perceived and relate to sexual orientation and gender, discussing gender inversion theory and research findings on speech patterns. They analyze the concept of the \"gay voice,\" stereotypes, and the complexity of identity, suggesting further research into the web of connections between language, identity, and sexual orientation.\r\n\r\nThe sections of this chapter highlight the complexities and ebbs and flows of the human experience. Through the author\u2019s distinct voices and personal narratives, the creative works and the critical essay demonstrate how identity is an ever-changing concept, shaped or constrained by societal pressures, culture, spirituality, love, loss, and philosophical reflections. A unifying thread running through the pieces is the exploration of transformation, transition, and growth, emphasizing identity as a journey in which challenges emerge and how we uncover more about ourselves by overcoming adversities. Lastly, these pieces address identity's intrinsic ambiguity and subjectivity, challenging conventional notions and encouraging readers to grapple with the complexities of defining it.\r\n\r\n&nbsp;\r\n<p style=\"text-align: right\"><em>Brianne Harper<\/em><\/p>\r\n<p style=\"text-align: right\"><em>Editor<\/em><\/p>","rendered":"<p style=\"text-align: center\">IDENTITY<\/p>\n<p>At its core, identity evades complete capture or definition, embodying subjective experiences shaped by individual perspectives on how we relate to ourselves and others. In this chapter, the writers convey the universality of identity by uncovering themes such as growth, love, loss, perseverance, language, and the human experience. The narratives explored detail the diverse facets of identity\u2014the places we navigate and the personas we choose to portray\u2014all of which contribute to shaping our essence.<\/p>\n<p>Koraleigh Ahearn\u2019s poem \u201cGirlhood\u201d is a lighthearted reflection of the transition from \u201cgirlhood\u201d to adulthood and how, through societal pressures, Barbie becomes a symbol of yielding to the inevitability of growing up. Jared Simmond\u2019s<\/p>\n<p>\u201cThe Moon as Object\u201d illustrates the moon as an entity beyond human comprehension, considering themes of subjectivity and perception. The speaker grapples with whether or not the moon\u2019s beauty and existence stem from divine or natural evolution. Keridwen Campbell\u2019s essay \u201cSounds Queer: Linguistic Perceptions of Sexual Orientation and Gender\u201d examines how language and speech patterns are perceived and relate to sexual orientation and gender, discussing gender inversion theory and research findings on speech patterns. They analyze the concept of the &#8220;gay voice,&#8221; stereotypes, and the complexity of identity, suggesting further research into the web of connections between language, identity, and sexual orientation.<\/p>\n<p>The sections of this chapter highlight the complexities and ebbs and flows of the human experience. Through the author\u2019s distinct voices and personal narratives, the creative works and the critical essay demonstrate how identity is an ever-changing concept, shaped or constrained by societal pressures, culture, spirituality, love, loss, and philosophical reflections. A unifying thread running through the pieces is the exploration of transformation, transition, and growth, emphasizing identity as a journey in which challenges emerge and how we uncover more about ourselves by overcoming adversities. Lastly, these pieces address identity&#8217;s intrinsic ambiguity and subjectivity, challenging conventional notions and encouraging readers to grapple with the complexities of defining it.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right\"><em>Brianne Harper<\/em><\/p>\n<p style=\"text-align: right\"><em>Editor<\/em><\/p>\n","protected":false},"author":124,"menu_order":1,"template":"","meta":{"pb_show_title":"","pb_short_title":"","pb_subtitle":"","pb_authors":["brianne-harper"],"pb_section_license":""},"chapter-type":[48],"contributor":[67],"license":[],"class_list":["post-5","chapter","type-chapter","status-publish","hentry","chapter-type-standard","contributor-brianne-harper"],"part":22,"_links":{"self":[{"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/pressbooks\/v2\/chapters\/5","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/wp\/v2\/users\/124"}],"version-history":[{"count":4,"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/pressbooks\/v2\/chapters\/5\/revisions"}],"predecessor-version":[{"id":87,"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/pressbooks\/v2\/chapters\/5\/revisions\/87"}],"part":[{"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/pressbooks\/v2\/parts\/22"}],"metadata":[{"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/pressbooks\/v2\/chapters\/5\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/wp\/v2\/media?parent=5"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/pressbooks\/v2\/chapter-type?post=5"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/wp\/v2\/contributor?post=5"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/wp\/v2\/license?post=5"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}