{"id":117,"date":"2024-06-07T08:32:22","date_gmt":"2024-06-07T12:32:22","guid":{"rendered":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/?post_type=chapter&#038;p=117"},"modified":"2024-06-07T08:58:57","modified_gmt":"2024-06-07T12:58:57","slug":"the-sea","status":"publish","type":"chapter","link":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/chapter\/the-sea\/","title":{"raw":"The Sea","rendered":"The Sea"},"content":{"raw":"the sea\r\n\r\n<em>by Jared Simmonds<\/em>\r\n\r\n&nbsp;\r\n\r\nyour clouds of volume surge\r\n\r\nin, then out, of being;\r\n\r\nsoft ruptures\r\n\r\nto an otherwise ubiquitous nothingness.\r\n\r\n&nbsp;\r\n\r\nsentrying a vacant shoreline,\r\n\r\nfor years i\u2019ve studied, callous as a surgeon,\r\n\r\nto pry from churning depths the phantom element\r\n\r\nwhich aggrandizes your totality.\r\n\r\n&nbsp;\r\n\r\nyour secrets,\r\n\r\na passage to madness:\r\n\r\nanemones, serpents, so many thousand kilograms;\r\n\r\n&nbsp;\r\n\r\ni no longer interpret,\r\n\r\nbut continue to listen.\r\n\r\n&nbsp;\r\n\r\nyou bellow a message bereft of language,\r\n\r\nbut a message nonetheless.\r\n\r\n&nbsp;\r\n\r\nknowing this requires no philosophy.","rendered":"<p>the sea<\/p>\n<p><em>by Jared Simmonds<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>your clouds of volume surge<\/p>\n<p>in, then out, of being;<\/p>\n<p>soft ruptures<\/p>\n<p>to an otherwise ubiquitous nothingness.<\/p>\n<p>&nbsp;<\/p>\n<p>sentrying a vacant shoreline,<\/p>\n<p>for years i\u2019ve studied, callous as a surgeon,<\/p>\n<p>to pry from churning depths the phantom element<\/p>\n<p>which aggrandizes your totality.<\/p>\n<p>&nbsp;<\/p>\n<p>your secrets,<\/p>\n<p>a passage to madness:<\/p>\n<p>anemones, serpents, so many thousand kilograms;<\/p>\n<p>&nbsp;<\/p>\n<p>i no longer interpret,<\/p>\n<p>but continue to listen.<\/p>\n<p>&nbsp;<\/p>\n<p>you bellow a message bereft of language,<\/p>\n<p>but a message nonetheless.<\/p>\n<p>&nbsp;<\/p>\n<p>knowing this requires no philosophy.<\/p>\n","protected":false},"author":124,"menu_order":5,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":["jared-simmonds"],"pb_section_license":""},"chapter-type":[],"contributor":[68],"license":[],"class_list":["post-117","chapter","type-chapter","status-publish","hentry","contributor-jared-simmonds"],"part":102,"_links":{"self":[{"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/pressbooks\/v2\/chapters\/117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/wp\/v2\/users\/124"}],"version-history":[{"count":1,"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/pressbooks\/v2\/chapters\/117\/revisions"}],"predecessor-version":[{"id":118,"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/pressbooks\/v2\/chapters\/117\/revisions\/118"}],"part":[{"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/pressbooks\/v2\/parts\/102"}],"metadata":[{"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/pressbooks\/v2\/chapters\/117\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/wp\/v2\/media?parent=117"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/pressbooks\/v2\/chapter-type?post=117"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/wp\/v2\/contributor?post=117"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.library.upei.ca\/artsreview-xiii\/wp-json\/wp\/v2\/license?post=117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}